Opera luminary Renée Fleming directs rising stars from the Aspen Opera Theater and VocalARTS program in Mozart's sublime — and some may say ridiculous — sex farce. See what unfolds when an old cynic makes a bet with two younger friends that their fiancées will be unfaithful. The plot may seem silly on its face, but through the genius of Mozart's music and DaPonte's libretto, you may discover deeper meanings and questions about the nature of love, the conflict between reason and emotion, and the consequences of idealizing others. Hear some of the most exquisite music ever written for the opera stage in the intimate and historic Wheeler Opera House!

Opera luminary Renée Fleming directs rising stars from the Aspen Opera Theater and VocalARTS program in Mozart's sublime — and some may say ridiculous — sex farce. See what unfolds when an old cynic makes a bet with two younger friends that their fiancées will be unfaithful. The plot may seem silly on its face, but through the genius of Mozart's music and DaPonte's libretto, you may discover deeper meanings and questions about the nature of love, the conflict between reason and emotion, and the consequences of idealizing others. Hear some of the most exquisite music ever written for the opera stage in the intimate and historic Wheeler Opera House!

Opera luminary Renée Fleming directs rising stars from the Aspen Opera Theater and VocalARTS program in Mozart's sublime — and some may say ridiculous — sex farce. See what unfolds when an old cynic makes a bet with two younger friends that their fiancées will be unfaithful. The plot may seem silly on its face, but through the genius of Mozart's music and DaPonte's libretto, you may discover deeper meanings and questions about the nature of love, the conflict between reason and emotion, and the consequences of idealizing others. Hear some of the most exquisite music ever written for the opera stage in the intimate and historic Wheeler Opera House!

Celebrating the 25th anniversary of the San Francisco Opera world premiere, Jake Heggie and Terrence McNally’s Dead Man Walking returns to the stage where it all began. Based on Sister Helen Prejean’s memoir of the same name, the opera is a searing portrayal of grief, anger, and compassion, hailed by the San Francisco Chronicle as “a masterpiece” in 2000. Since that auspicious premiere, Dead Man Walking has become the most widely performed new opera of the 21st century.

Celebrating the 25th anniversary of the San Francisco Opera world premiere, Jake Heggie and Terrence McNally’s Dead Man Walking returns to the stage where it all began. Based on Sister Helen Prejean’s memoir of the same name, the opera is a searing portrayal of grief, anger, and compassion, hailed by the San Francisco Chronicle as “a masterpiece” in 2000. Since that auspicious premiere, Dead Man Walking has become the most widely performed new opera of the 21st century.

Celebrating the 25th anniversary of the San Francisco Opera world premiere, Jake Heggie and Terrence McNally’s Dead Man Walking returns to the stage where it all began. Based on Sister Helen Prejean’s memoir of the same name, the opera is a searing portrayal of grief, anger, and compassion, hailed by the San Francisco Chronicle as “a masterpiece” in 2000. Since that auspicious premiere, Dead Man Walking has become the most widely performed new opera of the 21st century.

Celebrating the 25th anniversary of the San Francisco Opera world premiere, Jake Heggie and Terrence McNally’s Dead Man Walking returns to the stage where it all began. Based on Sister Helen Prejean’s memoir of the same name, the opera is a searing portrayal of grief, anger, and compassion, hailed by the San Francisco Chronicle as “a masterpiece” in 2000. Since that auspicious premiere, Dead Man Walking has become the most widely performed new opera of the 21st century.

Celebrating the 25th anniversary of the San Francisco Opera world premiere, Jake Heggie and Terrence McNally’s Dead Man Walking returns to the stage where it all began. Based on Sister Helen Prejean’s memoir of the same name, the opera is a searing portrayal of grief, anger, and compassion, hailed by the San Francisco Chronicle as “a masterpiece” in 2000. Since that auspicious premiere, Dead Man Walking has become the most widely performed new opera of the 21st century.

Celebrating the 25th anniversary of the San Francisco Opera world premiere, Jake Heggie and Terrence McNally’s Dead Man Walking returns to the stage where it all began. Based on Sister Helen Prejean’s memoir of the same name, the opera is a searing portrayal of grief, anger, and compassion, hailed by the San Francisco Chronicle as “a masterpiece” in 2000. Since that auspicious premiere, Dead Man Walking has become the most widely performed new opera of the 21st century.

Gripping drama, heartfelt emotion, and clever comedy: Il trittico comes to HGO in the company’s first-ever full presentation of Puccini’s masterful trio of one-act operas. Led by acclaimed director James Robinson, the evening begins with Il tabarro, a tale of passion and betrayal set on the Seine, where the lives of a barge captain, his young wife, and her lover intertwine in a tragic crescendo.

Gripping drama, heartfelt emotion, and clever comedy: Il trittico comes to HGO in the company’s first-ever full presentation of Puccini’s masterful trio of one-act operas. Led by acclaimed director James Robinson, the evening begins with Il tabarro, a tale of passion and betrayal set on the Seine, where the lives of a barge captain, his young wife, and her lover intertwine in a tragic crescendo.

Gripping drama, heartfelt emotion, and clever comedy: Il trittico comes to HGO in the company’s first-ever full presentation of Puccini’s masterful trio of one-act operas. Led by acclaimed director James Robinson, the evening begins with Il tabarro, a tale of passion and betrayal set on the Seine, where the lives of a barge captain, his young wife, and her lover intertwine in a tragic crescendo.

Gripping drama, heartfelt emotion, and clever comedy: Il trittico comes to HGO in the company’s first-ever full presentation of Puccini’s masterful trio of one-act operas. Led by acclaimed director James Robinson, the evening begins with Il tabarro, a tale of passion and betrayal set on the Seine, where the lives of a barge captain, his young wife, and her lover intertwine in a tragic crescendo.

Gripping drama, heartfelt emotion, and clever comedy: Il trittico comes to HGO in the company’s first-ever full presentation of Puccini’s masterful trio of one-act operas. Led by acclaimed director James Robinson, the evening begins with Il tabarro, a tale of passion and betrayal set on the Seine, where the lives of a barge captain, his young wife, and her lover intertwine in a tragic crescendo.